Blog | Centrum pro moderní umění a teorii

Jak vyprávět dějiny umění

Marcela Sedláčková|2023-03-21T14:06:21+00:0021. 03. 2023|

Kánon od Doryfora po Teodora Rotrekla

Jakub Frank|2023-02-28T16:08:08+00:0028. 02. 2023|

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Natalia Keller|2023-02-14T12:49:47+00:0014. 02. 2023|

Moderní umění a teorie v rozvrhu: Jaro 2023

Centrum pro moderní umění a teorii|2023-02-07T09:11:18+00:0007. 02. 2023|

How to display humans. Notes on decolonising a museum

Marta Filipová|2023-01-16T10:36:15+00:0024. 01. 2023|

Hans Belting (1935-2023): An Overview of his Work

Matthew Rampley|2023-01-16T09:07:44+00:0015. 01. 2023|

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Petr Janáč|2023-01-10T11:18:14+00:0005. 01. 2023|

Autumn 2022 publications

Centre for Modern Art and Theory|2023-01-31T12:30:15+00:0020. 12. 2022|

Reassessing Art History’s Humanism: An interview with Whitney Davis

Ancuta Mortu|2022-12-12T10:03:05+00:0008. 12. 2022|

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

Julia Secklehner|2022-12-07T11:35:51+00:0030. 11. 2022|

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

Matthew Rampley|2022-11-23T09:36:20+00:0021. 11. 2022|

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

Alena Pomajzlová|2022-12-06T09:45:06+00:0015. 11. 2022|

ArtEast/Central Nr.2

admin|2022-11-10T14:42:08+00:0010. 11. 2022|

Modernism in Poland – exhibition review

Matthew Rampley|2022-09-23T16:14:41+00:0023. 09. 2022|

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Christian Drobe|2022-09-23T12:26:55+00:0008. 09. 2022|

Mouřenínek Heleny Johnové a stereotypní reakce

Marta Filipová|2022-09-23T15:52:46+00:0029. 08. 2022|

Jak vyprávět dějiny umění

Marcela Sedláčková|2023-03-21T14:06:21+00:0021. 03. 2023|

Kánon od Doryfora po Teodora Rotrekla

Jakub Frank|2023-02-28T16:08:08+00:0028. 02. 2023|

Moderní umění a teorie v rozvrhu: Jaro 2023

Centrum pro moderní umění a teorii|2023-02-07T09:11:18+00:0007. 02. 2023|

How to display humans. Notes on decolonising a museum

Marta Filipová|2023-01-16T10:36:15+00:0024. 01. 2023|

ArtEast/Central Nr.2

admin|2022-11-10T14:42:08+00:0010. 11. 2022|

Mouřenínek Heleny Johnové a stereotypní reakce

Marta Filipová|2022-09-23T15:52:46+00:0029. 08. 2022|

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Natalia Keller|2023-02-14T12:49:47+00:0014. 02. 2023|

Hans Belting (1935-2023): An Overview of his Work

Matthew Rampley|2023-01-16T09:07:44+00:0015. 01. 2023|

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Petr Janáč|2023-01-10T11:18:14+00:0005. 01. 2023|

Autumn 2022 publications

Centre for Modern Art and Theory|2023-01-31T12:30:15+00:0020. 12. 2022|

Reassessing Art History’s Humanism: An interview with Whitney Davis

Ancuta Mortu|2022-12-12T10:03:05+00:0008. 12. 2022|

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

Julia Secklehner|2022-12-07T11:35:51+00:0030. 11. 2022|

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

Matthew Rampley|2022-11-23T09:36:20+00:0021. 11. 2022|

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

Alena Pomajzlová|2022-12-06T09:45:06+00:0015. 11. 2022|

Modernism in Poland – exhibition review

Matthew Rampley|2022-09-23T16:14:41+00:0023. 09. 2022|

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Christian Drobe|2022-09-23T12:26:55+00:0008. 09. 2022|

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Jak vyprávět dějiny umění

Kánon od Doryfora po Teodora Rotrekla

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Moderní umění a teorie v rozvrhu: Jaro 2023

How to display humans. Notes on decolonising a museum

Hans Belting (1935-2023): An Overview of his Work

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Autumn 2022 publications

Reassessing Art History’s Humanism: An interview with Whitney Davis

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

ArtEast/Central Nr.2

Modernism in Poland – exhibition review

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Mouřenínek Heleny Johnové a stereotypní reakce

Jak vyprávět dějiny umění

Kánon od Doryfora po Teodora Rotrekla

Moderní umění a teorie v rozvrhu: Jaro 2023

How to display humans. Notes on decolonising a museum

ArtEast/Central Nr.2

Mouřenínek Heleny Johnové a stereotypní reakce

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Hans Belting (1935-2023): An Overview of his Work

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Autumn 2022 publications

Reassessing Art History’s Humanism: An interview with Whitney Davis

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

Modernism in Poland – exhibition review

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

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