Blog | Centrum pro moderní umění a teorii

The Limits of International Architecture – Report on SMArt Talks with Helena Čapková

Petra Lexová|2023-04-04T09:50:21+00:0004. 04. 2023|

Jak vyprávět dějiny umění

Marcela Sedláčková|2023-03-21T14:06:21+00:0021. 03. 2023|

Kánon od Doryfora po Teodora Rotrekla

Jakub Frank|2023-02-28T16:08:08+00:0028. 02. 2023|

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Natalia Keller|2023-02-14T12:49:47+00:0014. 02. 2023|

Moderní umění a teorie v rozvrhu: Jaro 2023

Centrum pro moderní umění a teorii|2023-02-07T09:11:18+00:0007. 02. 2023|

How to display humans. Notes on decolonising a museum

Marta Filipová|2023-01-16T10:36:15+00:0024. 01. 2023|

Hans Belting (1935-2023): An Overview of his Work

Matthew Rampley|2023-01-16T09:07:44+00:0015. 01. 2023|

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Petr Janáč|2023-01-10T11:18:14+00:0005. 01. 2023|

Autumn 2022 publications

Centre for Modern Art and Theory|2023-01-31T12:30:15+00:0020. 12. 2022|

Reassessing Art History’s Humanism: An interview with Whitney Davis

Ancuta Mortu|2022-12-12T10:03:05+00:0008. 12. 2022|

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

Julia Secklehner|2022-12-07T11:35:51+00:0030. 11. 2022|

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

Matthew Rampley|2022-11-23T09:36:20+00:0021. 11. 2022|

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

Alena Pomajzlová|2022-12-06T09:45:06+00:0015. 11. 2022|

ArtEast/Central Nr.2

admin|2022-11-10T14:42:08+00:0010. 11. 2022|

Modernism in Poland – exhibition review

Matthew Rampley|2022-09-23T16:14:41+00:0023. 09. 2022|

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Christian Drobe|2023-04-04T09:15:17+00:0008. 09. 2022|

Mouřenínek Heleny Johnové a stereotypní reakce

Marta Filipová|2022-09-23T15:52:46+00:0029. 08. 2022|

Jak vyprávět dějiny umění

Marcela Sedláčková|2023-03-21T14:06:21+00:0021. 03. 2023|

Kánon od Doryfora po Teodora Rotrekla

Jakub Frank|2023-02-28T16:08:08+00:0028. 02. 2023|

Moderní umění a teorie v rozvrhu: Jaro 2023

Centrum pro moderní umění a teorii|2023-02-07T09:11:18+00:0007. 02. 2023|

How to display humans. Notes on decolonising a museum

Marta Filipová|2023-01-16T10:36:15+00:0024. 01. 2023|

ArtEast/Central Nr.2

admin|2022-11-10T14:42:08+00:0010. 11. 2022|

Mouřenínek Heleny Johnové a stereotypní reakce

Marta Filipová|2022-09-23T15:52:46+00:0029. 08. 2022|

The Limits of International Architecture – Report on SMArt Talks with Helena Čapková

Petra Lexová|2023-04-04T09:50:21+00:0004. 04. 2023|

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Natalia Keller|2023-02-14T12:49:47+00:0014. 02. 2023|

Hans Belting (1935-2023): An Overview of his Work

Matthew Rampley|2023-01-16T09:07:44+00:0015. 01. 2023|

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Petr Janáč|2023-01-10T11:18:14+00:0005. 01. 2023|

Autumn 2022 publications

Centre for Modern Art and Theory|2023-01-31T12:30:15+00:0020. 12. 2022|

Reassessing Art History’s Humanism: An interview with Whitney Davis

Ancuta Mortu|2022-12-12T10:03:05+00:0008. 12. 2022|

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

Julia Secklehner|2022-12-07T11:35:51+00:0030. 11. 2022|

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

Matthew Rampley|2022-11-23T09:36:20+00:0021. 11. 2022|

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

Alena Pomajzlová|2022-12-06T09:45:06+00:0015. 11. 2022|

Modernism in Poland – exhibition review

Matthew Rampley|2022-09-23T16:14:41+00:0023. 09. 2022|

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Christian Drobe|2023-04-04T09:15:17+00:0008. 09. 2022|

Všechno

česky

english

The Limits of International Architecture – Report on SMArt Talks with Helena Čapková

Jak vyprávět dějiny umění

Kánon od Doryfora po Teodora Rotrekla

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Moderní umění a teorie v rozvrhu: Jaro 2023

How to display humans. Notes on decolonising a museum

Hans Belting (1935-2023): An Overview of his Work

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Autumn 2022 publications

Reassessing Art History’s Humanism: An interview with Whitney Davis

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

ArtEast/Central Nr.2

Modernism in Poland – exhibition review

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Mouřenínek Heleny Johnové a stereotypní reakce

Jak vyprávět dějiny umění

Kánon od Doryfora po Teodora Rotrekla

Moderní umění a teorie v rozvrhu: Jaro 2023

How to display humans. Notes on decolonising a museum

ArtEast/Central Nr.2

Mouřenínek Heleny Johnové a stereotypní reakce

The Limits of International Architecture – Report on SMArt Talks with Helena Čapková

Stella(r) Project at the Museo de la Solidaridad Salvador Allende in Chile

Hans Belting (1935-2023): An Overview of his Work

Changing Definitions of National(ist) Hungarian Art as Reflected in International Exhibitions – Report on SMArt Talks with Samuel Albert

Autumn 2022 publications

Reassessing Art History’s Humanism: An interview with Whitney Davis

Niche Culture on Display: The World of Czech Comics at the Moravian Regional Museum

25,000 Years and More: Aesthetics and Art / Artefacts from Moravia

On the Real Author of the Cycle Parables of the Gospel, Previously Ascribed to Natalia Goncharova

Modernism in Poland – exhibition review

The resilience of inconspicuous things? Rudolf Wacker and the memory of the First World War

Kontakt